Monday, January 30, 2017

To Play the Cello, You Need Your Whole Body

art available on Etsy
You know how when you watch a cellist or violinist (or any string player), it looks like they are playing with their hands/fingers?

What I am learning is that the sound doesn't come from the hands or fingers. It comes from the back.

It's like the hands are fingers are just there for the specifics, but the weight and meaning of the music come from deeper in the body.

I've become more aware of this lately when playing scales. My teacher says to take a moment and let the bow "sink in" to the string. That doesn't mean to apply pressure with the hand or arm. It really is a letting-it-happen kind of thing. It's gravity. And it's also back muscle.

I find I can engage best when I take a breath, push my chest out, really connecting with the instrument, and let my shoulders fall. Then, by some miracle, I see my bow sink into the string -- and the tone is much richer, deeper, cello-y-er.

Two years in, and it still surprises me how physical the cello is. And how much there is to learn! It really takes the whole body to play the cello... that's part of why I love it.


1 comment:

  1. If we trace back the history of music, we find that initially it consisted of only a few rhythms and of the composition of but a few musical poems. more info

    ReplyDelete